Television
An attempt was made to adapt A Day in the Life Of Dennis Day as an NBC filmed series (Sam Berman's caricature of Dennis was used in the opening and closing titles), produced by Jerry Fairbanks for Dennis' sponsor, Colgate-Palmolive, featuring the original radio cast, but got no farther than an unaired 1949 pilot episode. In late 1950, a sample kinescope was produced by Colgate and their ad agency showcasing Dennis as host of a projected "live" comedy/variety series (The Dennis Day Show) for CBS, but that, too, went unsold. He continued to appear as a regular cast member when The Jack Benny Program became a TV series, staying with the show until it ended in 1965.
Eventually, his own TV series, The Dennis Day Show (aka The RCA Victor Show), was first telecast on NBC on February 8, 1952, and then in the 1953-1954 season. Between 1952 and 1978, he made numerous TV appearances as a singer and actor (such as NBC's The Gisele MacKenzie Show and ABC's The Bing Crosby Show and Alfred Hitchcock Presents) and voice for animation, such as the Walt Disney feature Johnny Appleseed, handling multiple characters.
During the final season of The Jack Benny Program (1964–65), Day was nearly 49 years old, although Jack was still delivering such lines as "That crazy kid drives me nuts ..."
His last televised work with Benny was in 1970, when they both appeared in a public service announcement together to promote savings and loans. This was shortly after, the whole cast and crew of The Jack Benny Show had gotten together for Jack Benny's Twentieth Anniversary Special.
In 1972, he co-starred with June Allyson and Judy Canova in the First National Tour of the Broadway musical No, No, Nanette.
In 1978, Day voiced Fred in The Stingiest Man in Town, which was Rankin-Bass' animated version of Charles Dickens's novel A Christmas Carol.
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Famous quotes containing the word television:
“It is marvelous indeed to watch on television the rings of Saturn close; and to speculate on what we may yet find at galaxy’s edge. But in the process, we have lost the human element; not to mention the high hope of those quaint days when flight would create “one world.” Instead of one world, we have “star wars,” and a future in which dumb dented human toys will drift mindlessly about the cosmos long after our small planet’s dead.”
—Gore Vidal (b. 1925)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)