Later Life and Work
During the 1960s and 70s, Levertov became much more politically active in her life and work. As poetry editor for The Nation, she was able to support and publish the work of feminist and other leftist activist poets. The Vietnam War was an especially important focus of her poetry, which often tried to weave together the personal and political, as in her poem "The Sorrow Dance," which speaks of her sister's death. Also in response to the Vietnam War, Levertov joined the War Resisters League, and in 1968 signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the war.
Much of the latter part of Levertov’s life was spent in education. After moving to Massachusetts, Levertov taught at Brandeis University, MIT and Tufts University. In 1989 she moved from Somerville, Massachusetts to Seattle, Washington, living near Seaward Park and Lake Washington and her beloved Mountain Ranier. On the West Coast, she had a part-time teaching stint at the University of Washington and for 11 years (1982–1993) held a full professorship at Stanford University, where she taught in the Stegner Fellowship program. In 1984 she received a Litt. D. from Bates College. After retiring from teaching, she travelled for a year doing poetry readings in the U.S. and Britain.
In December of 1997, Denise Levertov died at the age of 74 from complications due to lymphoma. She was buried at Lake View Cemetery in Seattle, Washington. Her papers are held at the Washington University in St. Louis.. The first full biography appeared in October 2012 by Dana Greene Denise Levertov: A Poet's Life (Chicago: University of Illinois, 2012. First full biography of the author.)
Read more about this topic: Denise Levertov
Famous quotes containing the words life and/or work:
“The whole life of an American is passed like a game of chance, a revolutionary crisis, or a battle.”
—Alexis de Tocqueville (1805–1859)
“Thinking is seeing.... Every human science is based on deduction, which is a slow process of seeing by which we work up from the effect to the cause; or, in a wider sense, all poetry like every work of art proceeds from a swift vision of things.”
—Honoré De Balzac (1799–1850)