Work
He wrote in Ancient Greek the grammar handbook "Summarized Questions of the Eight Parts of Word After Their Rules" (Ἐρωτήματα συνοπτικὰ τῶν ὀκτὼ τοῦ λόγου μερῶν μετὰ τινῶν κανόνων). He translated Galen's Anatomy into Latin.
As a scholar, Chalkokondyles published the editio princeps of Homer (Ὁμήρου τὰ σωζόμενα, Florence 1488), Isocrates (Milan 1493) and the Byzantine Suda lexicon (Σοῦδα, 1499).
- Greek Grammar, edited 1546 by Melchior Volmar in Basel
- Latin translation of the Anatomical Procedures of Galen, edited and published in 1529 by Jacopo Berengario da Carpi
- 1488, editio princeps of Homer's Iliad and Odyssey, Poiesis Hapasa, edited by Bernardus Nerlius and Chalkokondyles, appeared in Florence, not before 13 January 1489, in two folio volumes. It was the first Greek book to be printed in Florence. The Greek type used to print the 1488–1489 Homer is believed to have been cast by the Cretan Demetrius Damilas from the type that he had used to print Constantine Lascaris’ Erotemata (Milan 1476), the first book to be printed entirely in Greek, based upon the hand of Damilas’s fellow scribe Michael Apostolis.
Read more about this topic: Demetrios Chalkokondyles
Famous quotes containing the word work:
“If the heart beguiles itself in its choice [of a wife], and imagination will give excellencies which are not the portion of flesh and blood:Mwhen the dream is over, and we awake in the morning, it matters little whether ‘tis Rachael or Leah,—be the object what it will, as it must be on the earthly side ... of perfection,—it will fall short of the work of fancy, whose existence is in the clouds.”
—Laurence Sterne (1713–1768)
“Hard work. Well, that’s all right for people who don’t know how to do anything else. It’s all right for people who aren’t lucky. But once you’re lucky, you don’t have to work for other people. You make them work for you.”
—Dan Totheroh (1895–1976)
“By this contrivance the machinery of my work is of a species by itself; two contrary motions are introduced into it, and reconciled, which were thought to be at variance with each other. In a word, my work is digressive, and it is progressive too,—and at the same time.”
—Laurence Sterne (1713–1768)