Symbols
The Sphinx was the first symbol adopted by the fraternity at the time of inception. Chosen for its longevity and stability over centuries. Other symbols include a lamp, a lute (depicted as a lyre), a Gordian Knot, and the Egyptian Pyramids. The White Carnation was chosen as the fraternity's official flower because it contains the fraternity's colors; nile green and white as well as being a relatively common and sturdy flower which can grow in almost any climate. The publications of the fraternity are often named after its symbols:
- The Sphinx - an esoteric publication for initiated members only
- The Gordian Knot - the new member manual
- The Lute - the fraternity songbook
- The Carnation - a quarterly and open publication delivered to all members
The pledge emblem is a white circle with a green equilateral triangle set inside of it. Gold lines radiate from the center of the emblem to the three points of the triangle in addition to outlining the circle and triangle. The pledge emblem is very prevalent in the symbolism of the fraternity; not only is the emblem on the new member pin, but the emblem also graces the flag, the membership badge and the basic design is also the basis of the fraternity's seal.
Read more about this topic: Delta Sigma Phi
Famous quotes containing the word symbols:
“My image is a statement of the symbols of the harsh, impersonal products and brash materialistic objects on which America is built today. It is a projection of everything that can be bought and sold, the practical but impermanent symbols that sustain us.”
—Andy Warhol (1928–1987)
“Luckless is the country in which the symbols of procreation are the objects of shame, while the agents of destruction are honored! And yet you call that member your pudendum, or shameful part, as if there were anything more glorious than creating life, or anything more atrocious than taking it away.”
—Savinien Cyrano De Bergerac (1619–1655)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)