Plot
The film follows music teacher Marcus Daly (Hemmings) as he investigates the violent murder of psychic medium Helga Ulmann (Macha Meril), which he witnesses in an apartment building. Other major characters are introduced early, including Daly's friend Carlo (Gabriele Lavia), Ulmann's associate Dr. Giordani (Glauco Mauri) and reporter Gianna Brezzi (Daria Nicolodi).
After his attempt to rescue the medium fails, Daly realizes he has seen a certain painting among a group of portraits on the wall of the victim's apartment, but it seems to have disappeared when the police arrive. Later in the film, he also initially overlooks another clue that causes him to discover a mouldering corpse walled up in a derelict house. One murder leads to a series of others as Daly's obsession with this vital clue that he fails to understand endangers his life and that of everyone with whom he comes into contact. Among those killed are Giordani, Amanda Righetti (Giuliana Calandra) and Carlo.
The killing of Helga Ulmann is prefaced by a child's doggerel tune, the same music that accompanies the film's opening sequence in which two shadowy figures struggle until one of them is stabbed to death. The music serves as the murderer's calling card. When Daly hears it in his own apartment soon after becoming involved in the case he is able to foil his attacker. Later, he plays the tune to Giordani, a psychiatrist, who theorizes that the music is important because it probably played an integral part in a traumatic event in the killer's past. The doctor's theory is of course correct, as the identity of the killer is finally revealed as Carlo's insane mother Martha (Clara Calamai). When Carlo was still a child, he watched as she murdered her husband when he tried to have her committed to a mental hospital, then entomb his body in a room of their house. Daly's discovery of the corpse is one of the film's most dramatic moments.
In the climax, Martha confronts Marcus and tries to kill him. Wielding a butchering knife, Martha chases him around the complex and into a room with an elevator. Marcus is stabbed in the shoulder by the knife, and kicks Martha toward the elevator shaft. A long necklace she wears catches in the bars of the shaft, and she is decapitated when Daly summons the lift. The film ends with Daly staring into the resultant pool of blood.
Read more about this topic: Deep Red
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
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The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
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—John Dryden (1631–1700)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)