Career
In 1993, Messing won praise for her acting in the pre-Broadway workshop production of Tony Kushner's play Angels in America: Perestroika. Subsequently, she appeared in several episodes of the television series NYPD Blue during 1994 and 1995.
In 1995, Messing made her film debut in Alfonso Arau's A Walk in the Clouds playing the unfaithful wife of main character Paul Sutton (Keanu Reeves). This exposure led the Fox network to make her the co-star of the television sitcom, Ned & Stacey. The series lasted for two seasons, from 1995 to 1997. Messing appeared as Jerry Seinfeld's date in two episodes of the series Seinfeld: "The Wait Out" in 1996 and "The Yada Yada" in 1997. Messing turned down a starring role in another television sitcom to appear in Donald Margulies's two-character play Collected Stories, which opened at the Off Broadway Manhattan Theater Club. She also co-starred in the Tom Arnold vehicle McHale's Navy in 1997.
In 1998, Messing played a lead role as the bio-anthropologist Sloan Parker on ABC's dramatic science fiction television series Prey. During this time her agent approached her with the pilot script for the television show Will & Grace. Messing was inclined to take some time off, but the script intrigued her, and she auditioned for the role of Grace Adler, beating out Nicollette Sheridan, who later guest-starred on the show as a romantic rival of Grace's. Will & Grace became a ratings success, and Messing became a star.
In 2002, she was named one of the "50 Most Beautiful People in the World" by People Magazine. TV Guide picked her as its "Best Dressed Woman" in 2003. And Messing's trademark curls on Will & Grace won her five Crown Awards from voters at the celebrity hair site Super-Hair.Net between 2000 and 2008.
Messing was cast by director Woody Allen in a small role in his 2002 film Hollywood Ending. Her film roles since include a happily married but ill-fated wife in the supernatural thriller The Mothman Prophecies (2002) and a supporting role in Along Came Polly (2004). The Wedding Date (2005) was Messing's first leading role in a high-profile film. It received mixed reviews but performed fairly well at the box office. Messing was featured as a judge on the season finale of the second season of Bravo's reality show, Project Runway. Also in 2005, along with Megan Mullally, she was awarded the Women in Film Lucy Award in recognition of her excellence and innovation in her creative works that have enhanced the perception of women through the medium of television She also starred in the television mini-series The Starter Wife, which was nominated for ten Emmy awards including one for Messing for Outstanding Lead Actress in a Miniseries or Movie.
In 2008, Messing reprised her role as Molly Kagan in the television series The Starter Wife, consisting of 10 episodes. In early 2010, Messing starred in the ABC comedy pilot Wright vs. Wrong for the 2010-2011 primetime season but the pilot was not picked up by ABC.
In early 2011, it was announced that Messing will star in a new NBC musical pilot called Smash for the 2011–2012 primetime season. In May 2011, it was reported that NBC had picked up the show as a series for the 2011-2012 season. The show premiered on February 6, 2012.
In 2011, Messing was ranked No. 22 on the TV Guide Network special, Funniest Women on TV.
Read more about this topic: Debra Messing
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)