Film Memorabilia
Reynolds has amassed a large collection of movie memorabilia, beginning with the landmark 1970 Metro-Goldwyn-Mayer auction, and displayed them, first in a museum at her Las Vegas hotel and casino during the 1990s and later in a museum close to the Kodak Theater in Los Angeles. On several occasions, she has auctioned off items from the collection.
The museum was to relocate to be the centerpiece of the Belle Island Village tourist attraction in the resort city of Pigeon Forge, Tennessee, but the developer went bankrupt. The museum itself filed for Chapter 11 bankruptcy in June 2009.
Todd Fisher, Reynolds' son, announced that his mother was "heartbroken" to have to auction off her collection. It was valued at $10.79 million in the bankruptcy filing. The Vancouver Sun reported that Profiles in History has been given the responsibility of conducting a series of auctions beginning in June and continuing into December 2011. Among the "more than 3500 costumes, 20,000 photographs, and thousands of movie posters, costume sketches, and props" to be sold are Charlie Chaplin's bowler hat and Marilyn Monroe's white "subway dress", whose skirt is lifted up by the breeze from a passing subway train in the film The Seven Year Itch (1955).
On June 18, 2011, the subway dress was sold for $4.6 million dollars, far in excess of pre-auction estimates of $1-2 million. Another Monroe dress, which she wore in Gentlemen Prefer Blondes, fetched $1.2 million, four times the upper pre-sale expectation.
Read more about this topic: Debbie Reynolds
Famous quotes containing the word film:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)