Plot
The main character is a teenage girl named Didi, who appears to be an eccentric, orphaned goth, but who also insists that she is Death personified, taking her one day every hundred year sabbatical as a living person. She guides a suicidal young male protagonist called Sexton on a journey of self-discovery. As the story goes on, Sexton gains a reason for not wishing to die, his love for the girl claiming to be Death.
Gaiman's take, as he started in issue 8 of The Sandman, is a young, attractive, perky Death in this fresh interpretation of the concept. For it was said in Sandman 21: 'One day in every century, Death takes on mortal flesh, better to comprehend what the lives she takes must feel like, to taste the bitter tang of mortality.' Didi manages to eat from street vendors, run into a number of people including a megalomaniac known only as "The Eremite" (not overtly stated, but implied to be an alternate future version of Mister E, after his return from the end of time at Death's hands in the original Books of Magic miniseries), and a British woman named Mad Hettie who is looking for her heart.
A character similar to Didi appears in Gaiman's American Gods, in which she is seen at Rock City where the "Old Gods" are about to go to battle with the "New Gods". Here, she is portrayed as a host of the Voodoo spirit Baron Samedi.
Read more about this topic: Death: The High Cost Of Living
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)