Death: The High Cost of Living - Film Adaptation

Film Adaptation

For several years, a film based on Death: The High Cost of Living, to be called Death and Me, was under production at New Line Cinema. Gaiman wrote the screenplay, and would also direct, with Guillermo del Toro as executive producer. Gaiman spent several days on the set of del Toro's film Hellboy II: The Golden Army to get pointers on how to direct.

Other than two additional scenes at the beginning (set in a Tibetan monastery and Alaska), and a move from New York City to London for the main setting, the screenplay was relatively unchanged from the comic script.

After being in development hell for several years, work on it was renewed in 2007, but quickly derailed again due to the WGA strikes. According to Gaiman, the studio "may still be New Line, but Warner Independent is keen on it too." Shia LaBeouf may have had a role in the film, possibly as the lead character Sexton, due to his help in trying to get the movie developed.

On October 14, 2010 it was reported in an interview with Gaiman that as of June or July, DC and Warner Bros. had closed down work on the film and it was unclear if they would start it up again.

Read more about this topic:  Death: The High Cost Of Living

Famous quotes containing the words film and/or adaptation:

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)

    In youth the human body drew me and was the object of my secret and natural dreams. But body after body has taken away from me that sensual phosphorescence which my youth delighted in. Within me is no disturbing interplay now, but only the steady currents of adaptation and of sympathy.
    Haniel Long (1888–1956)