Film Adaptations
- Odd Thomas (2013) – starring Anton Yelchin
- Frankenstein
- The Husband (TBA) – Focus Features
- Frankenstein (2004) – USA Network – starring Adam Goldberg, Parker Posey, Michael Madsen, Vincent Perez, and Thomas Kretschmann (Koontz pulled out of the project midway through production because he did not like the direction the film was headed. He ended up writing his own books with the storyline he had originally created. The project continued without him.)
- Black River (2001) – Fox – starring Jay Mohr, and Stephen Tobolowsky
- Sole Survivor (2000) – Fox – starring Billy Zane, John C. McGinley, and Gloria Reuben
- Watchers Reborn (1998) – Concorde Pictures – starring Mark Hamill
- Phantoms (1998) – Miramax/Dimension Films – starring Peter O'Toole, Ben Affleck, Rose McGowan, and Joanna Going.
- Mr. Murder (1998) – ABC–starring Stephen Baldwin, Thomas Haden Church, and James Coburn
- Intensity (1997) – Fox–starring John C. McGinley, Molly Parker, and Piper Laurie
- Hideaway (1995) – Tristar Pictures–starring Jeff Goldblum, Christine Lahti, Jeremy Sisto, and Alicia Silverstone
- Watchers 3 (1994) – Concorde Pictures – starring Wings Hauser
- The Servants of Twilight (1991) – Trimark–starring Bruce Greenwood
- The Face of Fear (1990) – CBS–starring Pam Dawber and Lee Horsley. Also includes Kevin Conroy.
- Watchers II (1990) – Concorde Pictures – starring Marc Singer and Tracy Scoggins
- Whispers (1990) – Cinepix–starring Victoria Tennant, Chris Sarandon, and Jean LeClere
- Watchers (1988) – Universal Pictures – starring Corey Haim, Barbara Williams, and Michael Ironside
- The Intruder (1977) – MGM – starring Jean-Louis Trintignant (French film adaptation of Koontz's novel Shattered)
- Demon Seed (1977) – MGM – starring Julie Christie, Fritz Weaver, and Robert Vaughn as the voice of Proteus
Read more about this topic: Dean Koontz
Famous quotes containing the word film:
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)