Portrayal of Native Americans
This film is generally regarded as being extremely well researched in regard to Native American culture.
Dead Man is also notable as one of the rather few films about Native Americans to be directed by a non-native and offer nuanced and considerate details of the individual differences between Native American tribes free of common stereotypes. The film contains conversations in the Cree and Blackfoot languages, which were intentionally not translated or subtitled, for the exclusive understanding of members of those nations, including several in-jokes aimed at Native American viewers.
Read more about this topic: Dead Man
Famous quotes containing the words native americans, portrayal of, portrayal, native and/or americans:
“There can be no more ancient and traditional American value than ignorance. English-only speakers brought it with them to this country three centuries ago, and they quickly imposed it on the Africans—who were not allowed to learn to read and write—and on the Native Americans, who were simply not allowed.”
—Barbara Ehrenreich (b. 1941)
“From the oyster to the eagle, from the swine to the tiger, all animals are to be found in men and each of them exists in some man, sometimes several at the time. Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls. God displays them to us to give us food for thought.”
—Victor Hugo (1802–1885)
“From the oyster to the eagle, from the swine to the tiger, all animals are to be found in men and each of them exists in some man, sometimes several at the time. Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls. God displays them to us to give us food for thought.”
—Victor Hugo (1802–1885)
“The remnant of Indians thereabout—all but exterminated in their recent and final war with regular white troops, a war waged by the Red Men for their native soil and natural rights—had been coerced into the occupancy of wilds not far beyond the Mississippi.”
—Herman Melville (1819–1891)
“Saigon was an addicted city, and we were the drug: the corruption of children, the mutilation of young men, the prostitution of women, the humiliation of the old, the division of the family, the division of the country—it had all been done in our name.... The French city ... had represented the opium stage of the addiction. With the Americans had begun the heroin phase.”
—James Fenton (b. 1949)