Criticism
Though stylistically impressive, Dead Birds has been criticized with respect to its authenticity. The characters who speak in the film are never subtitled, and even then the voice itself is not always what it seems. What the audience perceives as Weyak's voice is actually a post-filming dub of Karl G. Heider speaking Dani. Gardner himself did not speak Dani, and so all his interpretations of events are second-hand. The battle sequences are made up of many shots taken during different battles and stitched together to give the appearance of temporal unity. The apparent continuity stems from the post-synchronized sound, and in fact all the sound in the film is post-synched. Heider, himself, admits in his book Ethnographic Film, that some of the battle films were edited out of sequence, intercut with scene from the women at the salt pool, which was also taken at a different time.
Read more about this topic: Dead Birds (1963 film)
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“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
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“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)