The Book
The book consists of three individual manuscripts, which Pacioli worked on between 1496 and 1498.
The first part, Compendio Divina Proportione, studies and describes the Golden ratio from a mathematical point of view and also studies polygons. The work also discusses the use of perspective by painters such as Piero della Francesca, Melozzo da Forlì, and Marco Palmezzano.
The second part discusses the ideas of Vitruvius on the application of mathematics in architecture.
The third part, Libellus in tres partiales tractatus divisus, is mainly an Italian translation of Piero della Francesca's Latin writings On Five Regular Solids ("De quinque corporibus regularibus") and mathematical examples.
The book contains illustrations in woodcut after drawings by Leonardo da Vinci. Leonardo drew the illustrations of the regular solids while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids which allowed an easy distinction between front and back.
Read more about this topic: De Divina Proportione
Famous quotes containing the word book:
“All is changed. All looks strange to me and gives me a feeling which I would rather get away from, although I know it to be the carrying out of natural laws. And I am not complaining. I am doing the same as many old people have done, I suppose, who have led an active life and suddenly find themselves living without a purpose. Oh, my heart is so full. I could write a big book on the subject of going out of this world gracefully.”
—Maria D. Brown (18271927)
“What I would like to write is a book about nothing, a book without exterior attachments, which would be held together by the inner force of its style, as the earth without support is held in the aira book that would have almost no subject or at least in which the subject would be almost invisible.”
—Gustave Flaubert (18211880)