Critical Literature
A complete edition of Lyndsay's poetical works was published by David Laing in 3 vols. in 1879. The E.E.T.S. issued the first part of a complete edition in 1865 (ed. F. Hall). Five parts have appeared, four edited by F. Hall, the fifth by J.A.H. Murray. For the bibliography see Laing's 3 vol. edition, u.s. iii. pp. 222 et seq., and the E.E.T.S. edition passim. The Association for Scottish Literary Studies issued Janet Hadley Williams, David Lyndsay, Selected Poems, (2000) freshly establishing texts with detailed notes. See also the editions by Pinkerton (1792), Sibbald (1803), and George Chalmers (1806); and the critical accounts in Henderson's Scottish Vernacular Literature (1898), Gregory Smith's Transition Period (1900), and J.H. Millar's Literary History of Scotland (1903). A professional work prepared by Lyndsay in the Lyon Office, entitled the Register of Scottish Arms (now preserved in manuscript in the Advocates' Library), was printed in 1821 and reprinted in 1878. It remains the most authoritative document on Scottish heraldry.
Read more about this topic: David Lyndsay
Famous quotes related to critical literature:
“I know that I will always be expected to have extra insight into black textsespecially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)