Reputation and Influence
David Lean received the AFI Life Achievement Award in 1990, being one of only three non-Americans to receive the award.
Lean is the most represented director on the BFI Top 100 British films list, having a total of seven films on the list, and four films in the top eleven. Lean's films in general have always been extremely popular with the general public, with The Bridge on the River Kwai, Lawrence of Arabia, and Doctor Zhivago among the highest-grossing films of all time. While Ryan's Daughter and A Passage to India were less successful on release, they have found wide and appreciative audiences since their release on DVD.
As Lean himself pointed out, his films are often admired by fellow directors as a showcase of the filmmaker's art. Steven Spielberg and Martin Scorsese in particular are huge fans of Lean's epic films, and claim him as one of their primary influences. Spielberg and Scorsese also helped in the 1989 restoration of Lawrence of Arabia which, when released, greatly revived Lean's reputation.
George Lucas has referenced Lean's films, Lawrence of Arabia in particular, throughout his Star Wars film series. John Milius, David Yates, Sergio Leone, Sam Peckinpah, Stanley Kubrick, and Sydney Pollack also claimed influence from Lean's films. Mel Brooks is also an admirer and parodied several of Lean's films in his sci-fi spoof Spaceballs. John Woo once named Lawrence of Arabia among his top three films. More recently, Joe Wright (Pride & Prejudice, Atonement) has cited Lean's works, particularly Doctor Zhivago, as an important influence on his work, and Baz Luhrmann has named Lean as one of the inspirations for his 2008 epic Australia.
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Famous quotes containing the words reputation and/or influence:
“The reputation of a man is like his shadow; it sometimes follows and sometimes precedes him, sometimes longer and sometimes shorter than his natural size.”
—French Proverb. Quoted in Dictionary of Similes, ed. Frank J. Wilstach (1916)
“If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?”
—David Hume (1711–1776)