The Hockney-Falco Thesis
In the 2001 television programme and book, Secret Knowledge, Hockney posited that the Old Masters used camera obscura techniques, utilized with a concave mirror, which allowed the image of the subject to be projected onto the surface of the painting. Hockney argues that this technique migrated gradually to Italy and most of Europe, and is the reason for the photographic style of painting we see in the Renaissance and later periods of art. He published his conclusions in the 2001 book “Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters,” which was revised in 2006.
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“General scepticism is the live mental attitude of refusing to conclude. It is a permanent torpor of the will, renewing itself in detail towards each successive thesis that offers, and you can no more kill it off by logic than you can kill off obstinacy or practical joking.”
—William James (18421910)