Influences and Themes
" The Alamo had a big effect on me when I first read about it. Unfortunately I now know the truth about the Alamo… The Alamo is a consistent story of cock-up after cock-up. Nobody there expected to die. I'm not saying they weren't very brave men. But the whole thing was mismanaged to the point of ineptness... I don't like to believe that, but it's the reality of life, so perhaps I shouldn't have studied the Alamo. Legend is the Alamo spirit - or what should have been that spirit." |
— David Gemmell on the influence of The Alamo |
Originally intending to be a historical novelist, Gemmell was intrigued by events which ended badly for the protagonists. Citing the Battle of the Alamo and the grisly fate of William Wallace as influences, he said that had he written about the 13th century Scottish revolutionary, he would have found a way in which he was ultimately victorious despite the odds, eventually realising this kind of storytelling would be more palatable in a fantasy setting. Gemmell's work typically deals with themes of honour and loyalty, advancing age, lost causes and the possibility of redemption for even the most corrupt (he was interested in the "true nature" of heroes, considering most to be unreliably so). The consistent presence of redemption in Gemmell's work reflected his Christian beliefs. He claimed that all of his novels have a religious basis, calling them "essentially Christian books" and saying that Christianity stopped him from "promoting the cause of evil" by writing "mindless savagery" in the vein of George G. Gilman's Edge westerns. Propelled by often didactic writing, his work typically features a charismatic warrior tortured by loss and self-doubt, who bands together with a group of unlikely companions in order to defeat a dark enemy, usually aided by mystical forces. While all his novels are violent, successes are often Pyrrhic and the villains complex. Gemmell credited his time as a journalist for providing him with his pacey, succinct style, though critics labelled his work "macho" and would often cite his limited vocabulary and the repetitive nature of his stories. Violent events usually provide the sole impetus for plot development, and are resolved by physical violence or heroics. Known for his strong characterisation, he attributed this to his tendency to draw from real life; having been acquainted with violent men, he understood and enjoyed writing them. Gemmell based the hero from his novel Legend on his stepfather Bill Woodford, calling men like him "…the havens, the safe harbours of childhood. They are the watch hounds who keep the wolves at bay." Bill reappeared in many of Gemmell's subsequent novels, in many different forms. When Bill died during the writing of Ravenheart, as a tribute Gemmell reworked the novel to give the "Bill" character centre stage.
Read more about this topic: David Gemmell
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