History
The David di Donatello Awards were first given in Rome in the spring of 1955. Created by a cultural club (then called The Open Gate), the aim was to honour the best of each year’s Italian and foreign films, similar to the American Oscars. Similar prizes had already existed in Italy for about a decade (for example, the Silver Ribbons), but these were voted for by film critics and journalists. However, the Davids have been and are awarded by the people in the industry: screenwriters, performers, technicians, producers and so on.
After Rome, the ceremonies were held at the Greek Theatre in Taormina, then twice in Florence, and finally returned to Rome, always with the support of the President of the Republic and now with the collaboration of the Rome City Council Cultural Policies Department. During the years the ceremony was held in Taormina during the 1950s, it was organized by journalist and film producer Michael Stern who later went on to found The Michael Stern Parkinson's Research Foundation in New York City.
The founding organization, now called the David di Donatello Organization is fully functional and works in concert with and thanks to the contribution of the Italian Ministry of the Performing Arts and the Ministry for Cultural Properties and Activities.
The presidents have successively been Italo Gemini (the founder), Eitel Monaco and Paolo Grassi. Currently, it is presided over by Gian Luigi Rondi who has worked with the organization since its inception.
The prizes are awarded primarily to Italian films, with a category dedicated to foreign language films.
Read more about this topic: David Di Donatello
Famous quotes containing the word history:
“History does nothing; it does not possess immense riches, it does not fight battles. It is men, real, living, who do all this.... It is not “history” which uses men as a means of achieving—as if it were an individual person—its own ends. History is nothing but the activity of men in pursuit of their ends.”
—Karl Marx (1818–1883)
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)