Politics
Once Daggett was admitted to the bar he entered into public life, two years before the adoption of the Constitution of the United States. As did most of the people of New England, at that time, Dagget aligned himself with the Federalist Party.
In 1791, he was chosen to represent the town of New Haven in the General Assembly (Connecticut State House of Representatives), and was annually re-elected for six years, until 1797, when he was chosen a member of the Connecticut State Council, or Upper House. Though one of the youngest members of the House, he soon became one of the most influential, and in 1794, three years after he entered it, he was chosen to preside over it as Speaker, at the age of 29. Daggett returned to the House for a one-year term in 1805.
In 1797, Daggett was elected to the Connecticut State Council, and he retained his seat there for seven years, until he resigned it in 1804. He returned to the Council in 1809, retaining his seat until he was elected to the U.S. Senate in 1813.
As well as holding a seat on the Council, he was appointed State's Attorney for the county of New Haven in June 1811, and continued in that office until he resigned it when chosen Senator in 1813.
He was elected to the Senate as a Federalist to fill the vacancy caused by the resignation of Chauncey Goodrich and served from May 13, 1813, to March 4, 1819.
In May 1826, at age 62, he was chosen an associate judge of the Connecticut Supreme Court of Errors. He was appointed to that office by a Legislature in which a decided majority was opposed to him in political principles and preferences, and yet the respect he had garnered as a public official and lawyer swayed their vote in his favor.
He served as the Mayor of New Haven, Connecticut, from 1828 to 1829.
In May 1832, he was made Chief Justice of the Connecticut Supreme Court of Errors. He continued in that office until December 31, 1834; 70 years was the limit that the state constitution assigned to the judicial office.
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Famous quotes containing the word politics:
“The differences between revolution in art and revolution in politics are enormous.... Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.”
—Harold Rosenberg (1906–1978)
“From the beginning, the placement of [Clarence] Thomas on the high court was seen as a political end justifying almost any means. The full story of his confirmation raises questions not only about who lied and why, but, more important, about what happens when politics becomes total war and the truth—and those who tell it—are merely unfortunate sacrifices on the way to winning.”
—Jane Mayer, U.S. journalist, and Jill Abramson b. 1954, U.S. journalist. Strange Justice, p. 8, Houghton Mifflin (1994)