Television
Attell's first appearance on television was in 1988 on VH1's Stand-Up Spotlight, which also featured early appearances by Lewis Black, Margaret Cho, Jeff Garlin, Jay Mohr and Wanda Sykes. The show was hosted by Rosie O'Donnell.
Perhaps his biggest break to date was achieved on November 23, 1993 when he made his first appearance on The Late Show with David Letterman. The appearance was seen by Saturday Night Live creator Lorne Michaels, who then recruited Attell to be a writer, and occasional performer, on SNL. Attell can be seen behind Chris Farley during the famous "Rudy Giuliani Inauguration" sketch. Attell worked on the show for the '93-'94 season.
In 1995, Attell was featured on two HBO specials: alongside up-and-comers Louis C.K., Anthony Clark, Eric Tunney and Dave Chappelle, he was a featured performer on the 1995 Young Comedians Special, hosted by Garry Shandling. He was also given his own 60-minute special on the channel's "HBO Comedy Showcase". Subsequently, Attell was also given an episode of HBO Comedy Half-Hour in 1997.
Also in 1995, Attell appeared as Squiggly Dave on Dr. Katz, Professional Therapist, kicking-off a long-standing relationship between Attell and Comedy Central. In 1999 the network issued Attell an installment in their ever-popular Comedy Central Presents series.
The same year the network signed him on as a regular commentator on their satirical news show The Daily Show. When he arrived in 1999, the show was just finding its audience after the departure of host Craig Kilborn and the arrival of Jon Stewart, an old friend of Attell's from the New York comedy circuit. The three-year stint gave Attell access to a mass audience on a regular basis (The Daily Show has done much the same for comedians Stephen Colbert, Steve Carell, Lewis Black and others). Attell's series of commentary on the show was called "The Ugly American".
In 2003, Attell began appearing semi-regularly on Tough Crowd with Colin Quinn. The show featured many of the performers he works with every day at the underground comedy club the Comedy Cellar and is based on the conversations they would have off-stage at the Olive Tree Cafe, the restaurant above the club. The unscripted show was canceled in November 2004 due to poor ratings and controversial subject matter.
In 2007, Attell appeared in the Michael Addis film, Heckler. Heckler is a comedic feature documentary exploring the increasingly critical world we live in. Attell appeared on Comedy Central's Last Laugh in 2007.
In July 2008, Attell begins hosting The Gong Show with Dave Attell for Comedy Central. Like the 1970's version, the show had a rotating panel of celebrity judges grading unusual acts.
Other notable television roles for Attell:
- "Dave" in a couple of the early episodes of Everybody Loves Raymond
- The voice of "Frank Demore" on Crank Yankers
- "Brad Campbell" on Ed
- Himself on Arrested Development
Attell has also been on numerous talk shows, including The Late Show with David Letterman, The Tonight Show with Jay Leno, Late Night with Conan O'Brien and Last Call with Carson Daly. He is also a frequent guest on Opie & Anthony.
In January 2010, he co-hosted the AVN Awards show, along with porn actresses Kirsten Price and Kayden Kross.
Read more about this topic: Dave Attell
Famous quotes containing the word television:
“In full view of his television audience, he preached a new religionor a new form of Christianitybased on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)
“Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
—Marc Fumaroli (b. 1932)
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)