Reception
The film was a moderate commercial and critical success. It performed well in much of Europe and the UK, although some critics were divided, particularly in Germany. Several left wing news publications derided the effort, while it was applauded by the right wing press. The film enjoyed considerable commercial and critical success in London and Paris, where Alpine cinema was a novelty. Notably, it won the Silver Medal of the Venice Film Festival.
The New York Sun described the film as "one of the most pictorially beautiful films of the year. Leni Riefenstahl - author, director and star - is an expert climber as well as handsome woman."
The New York Herald Tribune praised the "sheer pictorial beauty", the publication also praised Riefenstahl remarking "how flawlessly this girl, who plays the lead and also wrote and directed, accomplished her task."
The New York Times remarked that "a summary of the story gives no adequate idea of the beauty of the action and the remarkable camera work, especially in connection with the light effects."
Read more about this topic: Das Blaue Licht
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
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“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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