Possible Inspirations
A similarly named legend in Germany (Das blaue Licht) may have lent some inspiration to Riefenstahl's screenplay. In a period of time when a pan-Germanic ethos was sweeping the country, audiences were highly likely to have been familiar with the old legend, and accordingly expected the film to follow it closely. However, the film shares very little with the legend, and even departs from it in an unexpected way, casting Leni Riefenstahl as the beautiful loner, not at all a witch, but wrongly accused of being one.
The original legend, compiled by the Brothers Grimm in 1810, and later popularized by the pre-Hitler nationalists of the 1920s, tells the story of a crippled soldier who is terminated from the service of his king. Released from service, he travels into the woods to seek a cure, and comes upon a witch's house. It is there that he asks her if she is willing to help him. She agrees to cure him but he must first do three things for her. (The third task being nothing less than to descend into a very deep and dry well, and bring back from its depths a magic lamp.)
In that legend, however, the soldier finds a dwarflike creature at the bottom of the well. Apart from the strange lamp he comes upon, which glows in a mysteriously blue light (and which ultimately leads to the witch's ruin), there is very little else to connect Riefenstahl's concept to the German myth that came before her.
Gustav Renker's novel Bergkristall (1930) has many similarities to the plot of Das blaue Licht and may have been used by Balázs and Riefenstahl without attribution.
Read more about this topic: Das Blaue Licht
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