Darren Aronofsky - Controversy

Controversy

Several aspects of Aronofsky's films have been controversial, most notably Requiem for a Dream, The Wrestler and especially Black Swan. Requiem for a Dream was originally set for release in 2000, but it met with controversy in the United States, being rated NC-17 by the MPAA due to a graphic sex scene. Aronofsky appealed the rating, claiming that cutting any portion of the film would dilute its message. The appeal was denied and Artisan decided to release the film unrated.

The Wrestler has been condemned as an "anti-Iranian" film in many Iran newspapers and websites, in response to a scene in which Mickey Rourke violently breaks a pole bearing an Iranian flag in half across his knee. Borna News, a state-run Iranian newspaper, also criticized the heel (bad-guy) wrestler character "The Ayatollah." Portrayed as a villain, he wears Arabic items of clothing (keffiyeh and bisht), which the newspaper believed was intended to lead audiences to associate Iranians with Arabs. In the wrestling ring, he wears a skimpy leotard in the pattern of an Iranian flag with the alef character, representing the first letter of the word Ayatollah.

Some Iranian newspapers avoided mentioning the character, presumably to avoid offending Iran's clerical rulers. On March 2009, Javad Shamaqdari, cultural adviser to President Mahmoud Ahmadinejad, demanded an apology from a delegation of Academy of Motion Picture Arts and Sciences actors and producers visiting Iran for what he characterized as negative and unfair portrayals of the Islamic republic in The Wrestler and other Hollywood films.

The question of who had designed 40 ballet costumes for Portman and the dancers in Black Swan was one publicized controversy related to the film. The media gave substantial coverage to the dance double controversy: how much credit for the dancing in the film was being given to Portman and how much to her "dance double", Sarah Lane, an American Ballet Theatre soloist. Lane claimed to have danced more than she was credited. The director and Fox Searchlight disputed Lane's claim. Their released statements said, "We were fortunate to have Sarah there to cover the more complicated dance sequences and we have nothing but praise for the hard work she did. However, Natalie herself did most of the dancing featured in the final film."

Aronofsky said in an interview with Entertainment Weekly:

"I had my editor count shots. There are 139 dance shots in the film. 111 are Natalie Portman untouched. 28 are her dance double Sarah Lane. If you do the math, that's 80% Natalie Portman. What about duration? The shots that feature the double are wide shots and rarely play for longer than one second. There are two complicated longer dance sequences that we used face replacement. Even so, if we were judging by time, over 90% would be Natalie Portman. And to be clear, Natalie did dance en pointe in pointe shoes. If you look at the final shot of the opening prologue, which lasts 85 seconds, and was danced completely by Natalie, she exits the scene on pointe. That is completely her without any digital magic."