Head Coaching Record
| Year | Team | Overall | Conference | Standing | Bowl/playoffs | Coaches# | AP° | ||
|---|---|---|---|---|---|---|---|---|---|
| Mississippi State Maroons (Southeastern Conference) | |||||||||
| 1954 | Mississippi State | 6–4 | 3–3 | T–6th | |||||
| 1955 | Mississippi State | 6–4 | 4–4 | 6th | |||||
| Mississippi State: | 12–8 | 7–7 | |||||||
| Washington Huskies (Pacific Coast Conference) | |||||||||
| 1956 | Washington | 5–5 | 4–4 | T–4th | |||||
| Washington: | 5–5 | 4–4 | |||||||
| Texas Longhorns (Southwest Conference) | |||||||||
| 1957 | Texas | 6–4–1 | 4–1–1 | 2nd | L Sugar | 11 | 11 | ||
| 1958 | Texas | 7–3 | 3–3 | 4th | |||||
| 1959 | Texas | 9–2 | 5–1 | T–1st | L Cotton | 4 | 4 | ||
| 1960 | Texas | 7–3–1 | 5–2 | T–2nd | T Bluebonnet | 17 | |||
| 1961 | Texas | 10–1 | 6–1 | T–1st | W Cotton | 4 | 3fd | ||
| 1962 | Texas | 9–1–1 | 6–0–1 | 1st | L Cotton | 4 | 4 | ||
| 1963 | Texas | 11–0 | 7–0 | 1st | W Cotton | 1 | 1 | ||
| 1964 | Texas | 10–1 | 6–1 | 2nd | W Orange | 5 | 5 | ||
| 1965 | Texas | 6–4 | 3–4 | T–4th | |||||
| 1966 | Texas | 7–4 | 5–2 | 2nd | W Bluebonnet | ||||
| 1967 | Texas | 6–4 | 4–3 | T–3rd | |||||
| 1968 | Texas | 9–1–1 | 6–1 | T–1st | W Cotton | 5 | 3 | ||
| 1969 | Texas | 11–0 | 7–0 | 1st | W Cotton | 1 | 1 | ||
| 1970 | Texas | 10–1 | 7–0 | 1st | L Cotton | 1 | 3 | ||
| 1971 | Texas | 8–3 | 6–1 | 1st | L Cotton | 12 | 18 | ||
| 1972 | Texas | 10–1 | 7–0 | 1st | W Cotton | 5 | 3 | ||
| 1973 | Texas | 8–3 | 7–0 | 1st | L Cotton | 8 | 14 | ||
| 1974 | Texas | 8–4 | 5–2 | T–2nd | L Gator | 17 | |||
| 1975 | Texas | 10–2 | 6–1 | T–1st | W Bluebonnet | 7 | 6 | ||
| 1976 | Texas | 5–5–1 | 4–4 | 5th | |||||
| Texas: | 167–47–5 | 109–27–2 | |||||||
| Total: | 184–60–5 | ||||||||
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Famous quotes containing the words head and/or record:
“The stone often recoils on the head of the thrower.”
—Elizabeth I (1533–1603)
“All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
—John Berger (b. 1926)