List of Works
- Translated titles
Alice in Wonderless Land
- Corpse for Sale (1958)
- Archangels Don't Play Pinball (1959)
- He Had Two Pistols with White and Black Eyes (1960)
- He Who Steals a Foot is Lucky in Love (1961)
- Isabella, Three Tall Ships, and a Con Man (1963)
- Mistero Buffo (Comic Mystery, 1969)
- The Worker Knows 300 Words, the Boss 1000, That's Why He's the Boss (1969)
- Accidental Death of an Anarchist (1970)
- Fedayin (1971)
- We Won't Pay! We Won't Pay! (Non Si Paga! Non Si Paga!) (aka Can't Pay? Won't Pay!) (1974)
- Mama's Marijuana is the Best (1976)
- All House, Bed, and Church (1977)
- The Tale of a Tiger (1978)
- Trumpets and Raspberries (1981)
- The Open Couple (1983)
- Elizabeth: Almost by Chance a Woman (1984)
- One was Nude and One wore Tails (1985)
- Abducting Diana (1986) – Adapted to English in 1996 by Stephen Stenning
- The Tricks of the Trade (Manuale minimo dell'attore) (1991)
- The Pope and the Witch (1989)
- A Woman Alone (1991)
- Johan Padan and the Discovery of the Americas (1992)
- The Devil with Boobs (1997)
- The First Miracle of the Infant Jesus
- Orgasmo Adulto Escapes from the Zoo
- About Face
- The Virtuous Burglar
- Francis The Holy Jester (2009)
- Housepainters Have No Memories
- Marcolfa (La Marcolfa)
- The Eel Woman (La fiocinina)
- Fascism 1922 (Fascismo 1922)
- Michele Lu Lanzone
- Nadia Pasini
- The Rape (Lo stupro)
- The Tumult of Bologna (Il tumulto di Bologna)
- The Butterfly Mouse (La parpaja topola)
- I'd Rather Die Tonight If I Had To Think It Had All Been in Vain (Vorrei morire...)
- Mamma Togni (1971)
- The Opera of Guffaws (L'opera dello sghignazzo)
- The Birth of the Jongleur (La nascita del giullare)
- An Arab Woman Speaks (from ''Fedayn'', 1972)
- English translations
A number of Fo's plays have been translated into the English language, including Abducting Diana, and Francis the Holy Jester (Beautiful Books Limited, UK, 2009) by Mario Pirovano.
Read more about this topic: Dario Fo
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—Henry David Thoreau (18171862)
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“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (18991977)