Danny DeVito - Film Acting Career

Film Acting Career

DeVito played Martini in the 1975 film One Flew Over the Cuckoo's Nest, reprising his role from the 1971 off-Broadway play of the same name. He gained fame in 1978 playing Louie De Palma, the short but domineering dispatcher for the fictional Sunshine Cab Company, on the hit TV show Taxi. After Taxi ended, DeVito began a successful film career, starting with roles in 1983's Terms of Endearment, and as the comic rogue in the romantic adventure Romancing the Stone, starring Michael Douglas and Kathleen Turner, and its 1985 sequel, The Jewel of the Nile. In 1986, DeVito starred in Ruthless People with Bette Midler and Judge Reinhold, and in 1987, he made his feature-directing debut with the dark comedy Throw Momma from the Train, in which he starred with Billy Crystal and Anne Ramsey. Two years later, DeVito reunited with Douglas and Turner in The War of the Roses, which he directed and in which he co-starred.

DeVito's work during this time includes Other People's Money with Gregory Peck, director Barry Levinson's Tin Men as a competitive rival salesman to Richard Dreyfuss' character, two co-starring vehicles with Arnold Schwarzenegger (the comedies Twins and Junior), and playing The Penguin as a deformed sociopath in director Tim Burton's Batman Returns (1992).

Although generally a comic actor, DeVito expanded into dramatic roles with The Rainmaker, Hoffa (1992), which he directed and in which he co-starred with Jack Nicholson, Jack the Bear (1993), L.A. Confidential, The Big Kahuna, and Heist (2001), as a gangster nemesis to Gene Hackman's character.

DeVito has an interest in documentaries: In 2006, he began a partnership with Morgan Freeman's company ClickStar, on which he hosts a documentary channel called Jersey Docs. He was also interviewed in the documentary Revenge of the Electric Car, about his interest in and ownership of electric vehicles.

Read more about this topic:  Danny DeVito

Famous quotes containing the words film, acting and/or career:

    Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
    Ingmar Bergman (b. 1918)

    I have no acting technique.... I act instinctively. That’s why I can’t play any role that isn’t based on something in my life.
    Ethel Waters (1900–1977)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)