Side Projects and Other Musical Endeavours
In his time away from Tool, Carey has contributed (and still regularly does) to a vast number of projects:
- Fusion band VOLTO!, which regularly plays shows in the Los Angeles area, consisting of both covers and original material
- Pigmy Love Circus, which has recorded several albums
- Electronica-oriented project ZAUM
- Green Jellÿ
- Pigface
- Drums on the track "Use Less" from the album The Greater Wrong of the Right by Skinny Puppy
- Contributed to Adrian Belew's Side One and Side Three projects with bassist Les Claypool
- Drums on certain tracks of the Carole King album Colour of Your Dreams (as a session drummer) with Velvet Revolver guitarist Slash playing on select tracks
- Drums on the track "Somewhere" from the Collide album Some Kind of Strange and several tracks from Two Headed Monster
- Made an appearance on the 1997 album Free Mars by former Tool bassist Paul D'Amour's band Lusk
- Drums on the track "The Fourth" on the selftitled album from Feersum Ennjin, the band of former Tool Bassist Paul D'Amour
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Famous quotes containing the words side, projects, musical and/or endeavours:
“But to most of us society shows not its face and eye, but its side and back. To stand in true relations with men in a false age is worth a fit of insanity, is it not?”
—Ralph Waldo Emerson (1803–1882)
“One of the things that is most striking about the young generation is that they never talk about their own futures, there are no futures for this generation, not any of them and so naturally they never think of them. It is very striking, they do not live in the present they just live, as well as they can, and they do not plan. It is extraordinary that whole populations have no projects for a future, none at all.”
—Gertrude Stein (1874–1946)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“To be idle and to be poor have always been reproaches, and therefore every man endeavours with his utmost care to hide his poverty from others, and his idleness from himself.”
—Samuel Johnson (1709–1784)