Daniel Lanois - As Producer

As Producer

Lanois started his production career when he was 17, working in his own studio with his brother Bob Lanois in the basement of their mother's Ancaster, Ontario home, recording local artists including Simply Saucer. Later Daniel started Grant Avenue Studios in an old house he purchased in Hamilton, Ontario. He worked with a number of local bands, including Martha and the Muffins (for whom his sister Jocelyne played bass), Ray Materick, as well as the Canadian children's singer Raffi.

Lanois worked collaboratively with Brian Eno on some of Eno's own projects, one of which was the theme song for David Lynch's film adaptation of Frank Herbert's Dune. Eno invited him to co-produce U2's album The Unforgettable Fire. Along with Eno, he went on to produce U2's The Joshua Tree, the 1987 Grammy Award for Album of the Year, and some of the band's other works including Achtung Baby and All That You Can't Leave Behind, both of which were nominated for the same award but did not win. Lanois once again collaborated with U2 and Brian Eno on the band's most recent album, No Line on the Horizon. He was involved in the songwriting process as well as mixing and production.

Lanois' early work with U2 led to him being hired to produce albums for other top-selling artists. Bono recommended Lanois to Bob Dylan in the late 1980s; in 1989 Lanois produced Dylan's Oh Mercy. Eight years later Dylan and Lanois worked together on Time Out of Mind which won another Grammy Award for Album of the Year in 1997. In his autobiographical Chronicles, Vol. 1, Dylan describes in depth the contentious but rewarding working relationship he developed with Lanois.

Lanois spent most of 1985 producing So, Peter Gabriel's Grammy-nominated, multi-platinum-selling album, released in 1986.

Wrecking Ball, his 1995 collaboration with Emmylou Harris, won a 1996 Grammy Award for Best Contemporary Folk Album. In 1998, he produced and appeared on Willie Nelson's album Teatro.

Lanois was working on Neil Young's record Le Noise in June 2010 when he was hospitalized after suffering multiple injuries in a motorcycle crash in the Silverlake area of Los Angeles. He has since recovered.

Lanois' production is recognizable and notable for its 'big' and 'live' drum sound, atmospheric guitars and ambient reverb. Rolling Stone called Lanois the "most important record producer to emerge in the Eighties."