Daniel Arsham - Practice

Practice

"Arsham’s work blurs the lines between art, architecture and performance, and explores issues of natural versus manufactured or intention versus happenstance." " Through sculpture, drawing and performance, Arsham challenges our perceptions of physical space in order to make architecture perform the improbable. The surfaces of walls appear to melt, erode and ripple. Animals contemplate the emergence of floating shapes in nature. Sculptures from antiquity are infused with rigid, geometric forms.

In 2003, Daniel Arsham graduated from Cooper Union in New York City and received the Gelman Trust Fellowship Award. After graduation, Arsham returned to Miami to found seminal artist-run spaces "Placemaker," and "The House."

Arsham is represented by Galerie Emmanuel Perrotin in Paris, RonMandos Gallery in Amsterdam and OHWOW in Los Angeles, California.

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Famous quotes containing the word practice:

    “Abused as we abuse it at present, dramatic art is in no sense cathartic; it is merely a form of emotional masturbation.... It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession. Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process.”
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    “Alas for the cripple Practice when it seeks to come up with the bird Theory, which flies before it. Try your design on the best school. The scholars are of all ages and temperaments and capacities. It is difficult to class them, some are too young, some are slow, some perverse. Each requires so much consideration, that the morning hope of the teacher, of a day of love and progress, is often closed at evening by despair.”
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