Production
Originally written as a spec script by Michael Blake, it went unsold in the mid-1980s. It was Kevin Costner who, in early 1986 (when he was relatively unknown), encouraged Blake to turn the screenplay into a novel, to improve its chances of being adapted into a film. The novel manuscript of Dances with Wolves was rejected by numerous publishers but finally published in paperback in 1988. As a novel, the rights were purchased by Costner, with an eye on directing it. Actual production lasted for four months, from July 18 to November 23, 1989. Most of the movie was filmed on location in South Dakota, mainly near Pierre and Rapid City, with a few scenes filmed in Wyoming. Specific locations included the Badlands National Park, the Black Hills, the Sage Creek Wilderness Area, and the Belle Fourche River area. The buffalo hunt scenes were filmed at the Triple U Buffalo Ranch outside Fort Pierre, South Dakota, as were the Fort Sedgwick scenes, the set being constructed on the property.
Production delays were numerous, because of South Dakota's unpredictable weather, the difficulty of "directing" barely trainable wolves, and the complexity of the Indian battle scenes. Particularly arduous was the film's centerpiece buffalo hunt sequence: this elaborate chase was filmed over three weeks using 100 Indian stunt riders and an actual stampeding herd of several thousand buffalo. During one shot, Costner (who did almost all of his own horseback riding) was "T-boned" by another rider and knocked off his horse, nearly breaking his back. The accident is captured in The Creation of an Epic, the behind-the-scenes documentary on the Dances with Wolves Special Edition DVD.
According to the documentary, none of the buffalo were computer animated (CGI was then in its infancy) and only a few were animatronic or otherwise fabricated. In fact, Costner and crew employed the largest domestically owned buffalo ranch, with two of the domesticated buffalo being borrowed from Neil Young; this was the herd used for the buffalo hunt sequence.
Budget overruns were inevitable, owing to Costner's breaking several unspoken Hollywood "rules" for first-time directors: traditionally, they avoid both shooting outside and working with children and animals as much as possible. As a result, late in the production Costner was forced to add $3 million personally in out-of-pocket money to the film's original $15-million budget. Referring to the infamous fiasco of Michael Cimino's 1980 Heaven's Gate, considered the most mismanaged Western in film history, Costner's project was satirically dubbed "Kevin's Gate" by Hollywood critics and pundits skeptical of a three-hour, partially subtitled Western by a novice filmmaker.
The film changed the novel's Comanche Indians to Sioux, because of the larger number of Sioux speakers. Lakota Sioux language instructor Doris Leader Charge (1931–2001) was the on-set Lakota dialogue coach and also portrayed Pretty Shield, wife of Chief Ten Bears.
Despite portraying the adopted daughter of Graham Greene's character Kicking Bird, Mary McDonnell, then 37, was actually two months older than Greene, and less than two years younger than Tantoo Cardinal, the actress playing her adoptive mother. In addition, McDonnell was extremely nervous about shooting her sex scene with Kevin Costner, requesting it be toned down to a more modest version than what was scripted.
Read more about this topic: Dances With Wolves
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (18741965)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (18441900)