A dance film is a film in which dance is a central theme of the story. In such films, the creation of choreography typically exists only in film or video. At its best, dance films use filming and editing techniques to create twists in the plotline, multiple layers of reality, and emotional or psychological depth.
Dance film is also known as the cinematic interpretation of existing dance works, originally created for live performance. When existing dance works are modified for the purposes of filming this can involve a wide variety of film techniques. Depending on the amount of choreographic and/or presentational adjustment an original work is subjected to, the filmed version may be considered as Dance for Camera.
These definitions are not agreed upon by those working with dance and film or video.
Read more about Dance Film: Creators of Dance Film
Famous quotes containing the words dance and/or film:
“Not fat but the greatest possible suppleness and strength is what a good dancer wants from his nourishment—and I could not even guess what the spirit of a philosopher might wish to be more than a good dancer. For dance is his ideal, and also his art, and finally also his only piety, his “service to God.””
—Friedrich Nietzsche (1844–1900)
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)