Career
Andrews signed a contract with Samuel Goldwyn and nine years after arriving in Los Angeles was offered his first movie role in William Wyler's The Westerner (1940), starring Gary Cooper. He was also memorable as the gangster in the 1941 comedy Ball of Fire. In the 1943 movie adaptation of The Ox-Bow Incident with Henry Fonda, often cited as one of his best films, he played a lynching victim. Andrews' two signature roles came as an obsessed detective in Laura (1944) opposite Gene Tierney, and as a U.S. Army Air Force officer returning home from the war in the Oscar-winning 1946 film The Best Years of Our Lives. He played a crooked cop in Where the Sidewalk Ends (1950), also with Gene Tierney. Around this time, alcoholism began to derail Andrews' career, and on a couple of occasions it nearly cost him his life on the highway.
By the middle 1950s, Andrews was acting almost exclusively in B-movies. A handful of films he starred in during the late '50s, however, contain memorable work. Two movies for Fritz Lang in 1956, While the City Sleeps and Beyond a Reasonable Doubt, and two for Jacques Tourneur, Night of the Demon (1957) and The Fearmakers (1958), are well regarded. From 1952 to 1954, Andrews starred in the radio series I Was a Communist for the FBI about the experiences of Matt Cvetic, an FBI informer who infiltrated the Communist Party. In 1963, he was elected president of the Screen Actors Guild. Between 1969 and 1970, he appeared in a leading role as college president Tom Boswell on the NBC daytime soap opera Bright Promise. In 1960 he and Efrem Zimbalist, Jr. starred in The Crowded Sky; Zimbalist played the part of a military jet pilot who crashes into a large passenger airliner that Andrews is flying. Coincidentally, fifteen years later, Andrews and Zimbalist appeared in Airport 1975 in which Andrews plays a businessman pilot who has a heart attack and crashes his plane into a 747 that Zimbalist is flying.
Read more about this topic: Dana Andrews
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)