Culture
The British Encyclopedia states that:
"....The monuments left in Dalmatia by the Romans are numerous and precious. They are chiefly confined to the cities; for the civilization of the country was always urban, just as its history is a record of isolated city-states rather than of a united nation. Beyond the walls of its larger towns, little was spared by the barbarian Goths, Avars and Slavs; and the battered fragments of Roman work which mark the sites of Salona, near, and of many other ancient cities, are of slight antiquarian interest and slighter artistic value. Among the monuments of the Roman period, by far the most noteworthy in Dalmatia, and, indeed, in the whole Balkan Peninsula, is the Palace of Diocletian at Split. Dalmatian architecture was influenced by Constantinople in its general character from the 6th century until the close of the tenth. The oldest memorials of this period are the vestiges of three basilicas, excavated in Salona, and dating from the first half of the 7th century at latest. Then from Italy came the Romanesque. The belfry of S. Maria, at Zadar, erected in 1105, is first in a long list of Romanesque buildings. At Rab there is a beautiful Romanesque campanile which also belongs to the 12th century; but the finest example in this style is the cathedral of Trail. The 14th century Dominican and Franciscan convents in Dubrovnik are also noteworthy. Romanesque lingered on in Dalmatia until it was displaced by Venetian Gothic in the early years of the 15th century. The influence of Venice was then at its height. Even in the relatively hostile Republic of Ragusa the Romanesque of the custom-house and Rectors' palace is combined with Venetian Gothic, while the graceful balconies and ogee windows of the Prijeki closely follow their Venetian models. In 1441 Giorgio Orsini of Zadar, summoned from Venice to design the cathedral of Šibenik, brought with him the influence of the Italian Renaissance. The new forms which he introduced were eagerly imitated and developed by other architects, until the period of decadence - which virtually concludes the history of Dalmatian art - set in during the latter half of the 17th century. Special mention must be made of the carved woodwork, embroideries and plate preserved in many churches. The silver statuette and the reliquary of St. Blaise at Dubrovnik, and the silver ark of St. Simeon at Zadar, are fine specimens of Italian jewelers' work, ranging in date from the 11th or 12th to the 17th century...".
In the 19th century the cultural influence from Italy originated the editing in Zadar of the first Dalmatian newspaper, in Italian and Croatian: Il Regio Dalmata - Kraglski Dalmatin, founded and published by the Italian Bartolomeo Benincasa in 1806.
The Regio Dalmata - Kraglski Dalmatin was stamped in the tipography of Antonio Luigi Battara and was the first done in croat language.
The Dalmatian Italians contributed to the cultural development of theater and opera in Dalmatia. The Verdi Theater in Zadar was their main symbol until 1945.
Read more about this topic: Dalmatian Italians
Famous quotes containing the word culture:
“Anthropologists have found that around the world whatever is considered “men’s work” is almost universally given higher status than “women’s work.” If in one culture it is men who build houses and women who make baskets, then that culture will see house-building as more important. In another culture, perhaps right next door, the reverse may be true, and basket- weaving will have higher social status than house-building.”
—Mary Stewart Van Leeuwen. Excerpted from, Gender Grace: Love, Work, and Parenting in a Changing World (1990)
“As the traveler who has once been from home is wiser than he who has never left his own doorstep, so a knowledge of one other culture should sharpen our ability to scrutinize more steadily, to appreciate more lovingly, our own.”
—Margaret Mead (1901–1978)
“Cynicism makes things worse than they are in that it makes permanent the current condition, leaving us with no hope of transcending it. Idealism refuses to confront reality as it is but overlays it with sentimentality. What cynicism and idealism share in common is an acceptance of reality as it is but with a bad conscience.”
—Richard Stivers, U.S. sociologist, educator. The Culture of Cynicism: American Morality in Decline, ch. 1, Blackwell (1994)