Work
The book Man Made Language (1980) is based on Spender’s PhD research. Her argument is that in patriarchal societies men control language and it works in their favour. “Language helps form the limits of our reality. It is our means of ordering, classifying and manipulating the world” (1980:3). Where men perceive themselves as the dominant gender, disobedient women who fail to conform to their given inferior role are labelled as abnormal, promiscuous, neurotic or frigid. Spender draws parallels with how derogatory terms are used to maintain racism (1980:6). Man Made Language illustrates how linguistic determinism interconnects with economic determinism to oppress women in society and provides a wide breadth of analysis to do this. The book explores the assumed deficiencies of women, silencing, intimidation and the politics of naming.
In 1991, Spender published a literary spoof, The Diary of Elizabeth Pepys (1991 Grafton Books, London). Purportedly written by Elisabeth, the wife of Samuel Pepys, the book is a feminist critique of women's lives in 17th Century London.
Spender is co-originator of the database WIKED (Women's International Knowledge Encyclopedia and Data) and founding editor of the Athene Series and Pandora Press, commissioning editor of the Penguin Australian Women's Library, and associate editor of the Great Women Series (United Kingdom).
Today Spender is particularly concerned with intellectual property and the effects of new technologies: in her terms, the prospects for "new wealth" and "new learning". For nine years she was a director of Copyright Agency Limited (CAL) in Australia and for two years (2002–2004) she was the chair. She is also involved with the Second Chance Programme, which tackles homelessness among women in Australia.
Read more about this topic: Dale Spender
Famous quotes containing the word work:
“A perfect personality ... is only possible in a state of society where man is free to choose the mode of work, the conditions of work, and the freedom to work. One to whom the making of a table, the building of a house, or the tilling of the soil, is what the painting is to the artist and the discovery to the scientist,—the result of inspiration, of intense longing, and deep interest in work as a creative force.”
—Emma Goldman (1869–1940)
“Auld Nature swears, the lovely Dears
Her noblest work she classes, O:
Her prentice han’ she try’d on man,
An’ then she made the lasses, O.”
—Robert Burns (1759–1796)
“No work of art ever puts forward views. Views belong to people who are not artists.”
—Oscar Wilde (1854–1900)