Legacy
Since the first Firehose album, Mike Watt has dedicated every record he has worked on - be it Firehose, solo, or otherwise - to D. Boon's memory. A song on Watt's semi-autobiographical 1997 album Contemplating the Engine Room, "The Boilerman", is about D. Boon; on the recording itself, guitarist Nels Cline plays one of Boon's last Telecaster guitars, which Watt is in possession of. Watt also mentions his fallen friend in Firehose's "Disciples Of The 3-Way" (Mr. Machinery Operator) and his own "Burstedman" (The Secondman's Middle Stand).
Boon has been paid tribute by American alternative band Stigmata-A-Go-Go with the song "D. Boon", from their 1994 album It's All True, Uncle Tupelo with a different song "D. Boon" from their 1991 album Still Feel Gone, and Centro-matic's song "D.Boon-Free (A Ninth Grade Crime)" off "The Static Vs. The Strings Vol. 1".
His legacy in the underground music scene around the world has made him an influence on countless musicians. In their song "Minuteman", the Hardcore band Self Harm from New Zealand make reference to his musical contributions as guitarist and vocalist with Minutemen.
In 2003, former D. Boon roommate Richard Derrick released the CD D. Boon And Friends, a collection of jam session tapes he recorded with D. Boon, and rare Boon solo performances, as the first release on his Box-O-Plenty Records label. Mike Watt authorized the release and provided technical assistance and liner notes.
He is #89 on Rolling Stone's list of the 100 greatest guitarists of all time: David Fricke's Picks.
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 1466–1536)