Process and Style
Pennebaker's films, usually shot with a hand-held camera, often eschew voice-over narration and interviews in favor of a "simple" portrayal of events typical of the direct cinema style Pennebaker helped popularize in the U.S. Of such an approach, Pennebaker told interviewer G. Roy Levin published in 1971 that "it's possible to go to a situation and simply film what you see there, what happens there, what goes on, and let everybody decide whether it tells them about any of these things. But you don't have to label them, you don't have to have the narration to instruct you so you can be sure and understand that it's good for you to learn." In that same interview with Levin, Pennebaker goes so far as to claim that Dont Look Back is "not a documentary at all by my standards." He instead repeatedly asserts that he does not make documentaries, but "records of moments," "half soap operas," and "semimusical reality things."
An accomplished engineer, Pennebaker developed one of the first fully portable, synchronized 16mm camera and sound recording systems which revolutionized modern filmmaking. His aesthetic and technical breakthroughs have also had a major influence on narrative filmmaking, influencing such realist masterworks as Barbara Loden's Wanda, which was filmed and edited by one of Pennebaker's protégés, Nicholas Proferes, and even popular satires such as Tim Robbins' Bob Roberts.
Read more about this topic: D. A. Pennebaker
Famous quotes containing the words process and/or style:
“At last a vision has been vouchsafed to us of our life as a whole. We see the bad with the good.... With this vision we approach new affairs. Our duty is to cleanse, to reconsider, to restore, to correct the evil without impairing the good, to purify and humanize every process of our common life, without weakening or sentimentalizing it.”
—Woodrow Wilson (1856–1924)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)