Process and Style
Pennebaker's films, usually shot with a hand-held camera, often eschew voice-over narration and interviews in favor of a "simple" portrayal of events typical of the direct cinema style Pennebaker helped popularize in the U.S. Of such an approach, Pennebaker told interviewer G. Roy Levin published in 1971 that "it's possible to go to a situation and simply film what you see there, what happens there, what goes on, and let everybody decide whether it tells them about any of these things. But you don't have to label them, you don't have to have the narration to instruct you so you can be sure and understand that it's good for you to learn." In that same interview with Levin, Pennebaker goes so far as to claim that Dont Look Back is "not a documentary at all by my standards." He instead repeatedly asserts that he does not make documentaries, but "records of moments," "half soap operas," and "semimusical reality things."
An accomplished engineer, Pennebaker developed one of the first fully portable, synchronized 16mm camera and sound recording systems which revolutionized modern filmmaking. His aesthetic and technical breakthroughs have also had a major influence on narrative filmmaking, influencing such realist masterworks as Barbara Loden's Wanda, which was filmed and edited by one of Pennebaker's protégés, Nicholas Proferes, and even popular satires such as Tim Robbins' Bob Roberts.
Read more about this topic: D. A. Pennebaker
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