Work
Kornbluth began writing at 15. His first solo story, "The Rocket of 1955," was published in Richard Wilson's fanzine Escape (Vol 1 No 2, August 1939); his first collaboration, "Stepsons of Mars," written with Richard Wilson and published under the name "Ivar Towers," appeared in the April 1940 Astonishing. His other short fiction includes "The Little Black Bag", "The Marching Morons", "The Altar at Midnight," "MS. Found in a Chinese Fortune Cookie," "Gomez" and "The Advent on Channel 12."
"The Little Black Bag" was first televised as a live act on the television show "Tales of Tomorrow" on May 30, 1952. It was later adapted for television by the BBC in 1969 for its Out of the Unknown series. In 1970, the same story was adapted by Rod Serling for an episode of his Night Gallery series. This dramatization starred Burgess Meredith as the alcoholic Dr. William Fall, who had long lost his doctors license and become a street wino/alcoholic. He finds a bag containing advanced medical technology from the future (2098), which, after an unsuccessful attempt to pawn it, he uses benevolently.
"The Marching Morons" is a look at a far future in which the world's population consists of five billion idiots and a few million geniuses – the precarious minority of the "elite" working desperately to keep things running behind the scenes. Part of its appeal is that readers identify with the beleaguered geniuses. In his introduction to The Best of C.M. Kornbluth, Pohl states that "The Marching Morons" is a direct sequel to "The Little Black Bag": it is easy to miss this, as "Bag" is set in the contemporary present while "Morons" takes place several centuries from now, and there is no character who appears in both stories. The titular black bag in the first story is actually an artifact from the time period of "The Marching Morons": a medical kit filled with self-driven instruments enabling a far-future moron to "play doctor." A future Earth similar to "The Marching Morons" – a civilisation of morons protected by a small minority of hidden geniuses – is used again in the final stages of Kornbluth & Pohl's Search the Sky.
"MS. Found in a Chinese Fortune Cookie" (1957) is supposedly written by Kornbluth using notes by "Cecil Corwin", who has been declared insane and incarcerated, and who smuggles out in fortune cookies the ultimate secret of life. This fate is said to be Kornbluth's response to the unauthorized publication of "Mask of Demeter" (as by "Corwin" and "Martin Pearson" (Donald A. Wollheim)) in Wollheim's anthology Prize Science Fiction in 1953.
Biographer Mark Rich describes the 1958 story "Two Dooms" as one of several stories which are "concern with the ethics of theoretical science" and which "explore moral quandaries of the atomic age":
"Two Dooms" follows atomic physicist Edward Royland on his accidental journey into an alternative universe where the Nazis and Japanese rule a divided United States. In his own world, Royland debated whether to delay progress at the Los Alamos nuclear research site or to help the atomic bomb achieve its terrifying result. Encountering both a slave village and a concentration camp in the alternative America, he comes to grips with the idea of life under bondage.Many of Kornbluth's novels were written as collaborations: either with Judith Merril (using the pseudonym Cyril Judd), or with Frederik Pohl. By far the most successful and important of these were the novels Gladiator-At-Law and The Space Merchants. The Space Merchants contributed significantly to the maturing and to the wider academic respectability of the science fiction genre, not only in America but also in Europe. Kornbluth also wrote several novels under his own name, the most successful being The Syndic and Not This August.
Read more about this topic: Cyril M. Kornbluth
Famous quotes containing the word work:
“A tremendous number of people in America work very hard at something that bores them. Even a rich man thinks he has to go down to the office every day. Not because he likes it but because he cant think of anything else to do.”
—W.H. (Wystan Hugh)
“A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them. There is no such thing as bad art.”
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“Even if matter could do every outward thing that God does, the idea of it would not work as satisfactorily, because the chief call for a God on modern mens part is for a being who will inwardly recognize them and judge them sympathetically. Matter disappoints this craving of our ego, so God remains for most men the truer hypothesis, and indeed remains so for definite pragmatic reasons.”
—William James (18421910)