Malleable Bronze
Malleable bronze is an alloy of tin and copper containing typically 8% tin. It is a single-phase alloy and can be cold rolled into sheets, unlike bell bronze. It is readily available as commercial sheet metal in many grades and thicknesses.
Cymbal bronzes containing 8% tin are most normally called B8 alloy. Paiste refer to their 8% tin bronze as 2002 alloy.
From the mid 20th century there were attempts to make top quality cymbals from malleable bronze, originally for reasons of economy. As the Paiste patent referred to above says:
Less than three decades ago experiments were carried out for economical considerations with a commercial common bronze sheet or plating containing 8% tin by weight. The result was that the old bronze rule was confirmed and proven to be correct. One had to realize that with careful working and processing of the cymbal it was possible to achieve considerable qualitative results with the bronze sheet or plating containing 8% by weight tin, but these results could never approach the results obtained with traditional cymbals having a tin content of 20% by weight.
Not everyone agrees with this unfavourable assessment, written well after the development of the very successful Paiste 2002 series. In particular, top-line malleable bronze cymbals proved exceptionally suitable for the louder music then developing. The best of them now approach, and some claim equal, the best bell bronze cymbals in quality.
Examples of malleable bronze cymbals include: Harpy H, Meinl One of a Kind, Meinl Custom and Amun, Meinl Lightning and Raker, Meinl Classics and some Generation X, Meinl Trooper and Cadet, Orion Solo Pro and Solo Pro Master, Orion Viziuss, Paiste 2002 and Giant Beat, Paiste 802 and Alpha, Paiste 502 and some Exotic Percussion, Pearl Pro, Meinl MCS, Sabian B8 and B8 Pro, Sabian Pro Sonix, Sabian APX, Zildjian Planet Z, ZBT, ZXT, and Zildjian Pitch Black.
Read more about this topic: Cymbal Alloys
Famous quotes containing the words malleable and/or bronze:
“Man is not merely the sum of his masks. Behind the shifting face of personality is a hard nugget of self, a genetic gift.... The self is malleable but elastic, snapping back to its original shape like a rubber band. Mental illness is no myth, as some have claimed. It is a disturbance in our sense of possession of a stable inner self that survives its personae.”
—Camille Paglia (b. 1947)
“What will our children remember of us, ten, fifteen years from now? The mobile we bought or didn’t buy? Or the tone in our voices, the look in our eyes, the enthusiasm for life—and for them—that we felt? They, and we, will remember the spirit of things, not the letter. Those memories will go so deep that no one could measure it, capture it, bronze it, or put it in a scrapbook.”
—Sonia Taitz (20th century)