Cymbal Alloys - Bell Bronze

Bell Bronze

Bell bronze, also known as bell metal, is the traditional alloy used for fine cymbals, many gongs, and, as the name suggests, bells. It is normally stated to be one part tin to four parts copper, that is 20% tin, and this is still the most common formula. But there has always been some variation. Larger and smaller bells are cast with differing amounts of tin, and some bell, gong and cymbal makers use small but significant amounts of other elements, notably silver, gold and phosphorus. Bell bronze is a two-phase alloy, meaning that some of the tin is not dissolved in the copper grains but exists between them. This makes the metal harder and more brittle than a single-phase alloy, and also affects the way the metal responds to hardening by hammering and lathing, and greatly restricts the use of mechanised techniques of manufacture.

Major orchestras generally use bell bronze cymbals, which are capable of a greater dynamic range than any others.

Examples of bell bronze cymbals include: Bosphorus, Dream, Istanbul, Masterwork, Meinl Byzance and Marathon B18, Ozman, some Paiste Traditionals, Paiste Twenty and some Exotic Percussion, Paiste Sound Creation and Formula 602, Sabian HH and HHX, Sabian AA and AAX, Sabian XS20, most Sabian Signature, all current Saluda (including Earthworks, Mist X, Diamond, Nemesis, Glory and Definitive Jazz, but not earlier lines), Spizzichino, Stagg (including SH, DH, Black Metal, Furia, Myra, Classic, Vintage Bronze and others), Supernatural, UFIP, Wuhan, Zildjian A and A Custom, Zildjian K and K Custom, Zildjian Z Custom, Zildjian Z3, Zildjian Armand and Zildjian FX.

Read more about this topic:  Cymbal Alloys

Famous quotes containing the words bell and/or bronze:

    One of the most difficult aspects of being a parent during the middle years is feeling powerless to protect our children from hurt. However “growthful” it may be for them to experience failure, disappointment and rejection, it is nearly impossible to maintain an intellectual perspective when our sobbing child or rageful child comes in to us for help. . . . We can’t turn the hurt around by kissing the sore spot to make it better. We are no longer the all-powerful parent.
    —Ruth Davidson Bell (20th century)

    Ask us, ask us whether with the worldless rose
    Our hearts shall fail us; come demanding
    Whether there shall be lofty or long standing
    When the bronze annals of the oak-tree close.
    Richard Wilbur (b. 1921)