How Expansive Classification Call Numbers Are Constructed
Most call numbers in the Expansive Classification follow conventions offering clues to the book's subject. The first line represents the subject, the second the author (and perhaps title), the third and fourth dates of editions, indications of translations, and critical works on particular books or authors. All numbers in the Expansive Classification are (or should be) shelved as if in decimal order.
Size of volumes is indicated by points (.), pluses (+), or slashes (/ or //).
For some subjects a numerical geographical subdivision follows the classification letters on the first line. The number 83 stands for the United States—hence, F83 is U.S. history, G83 U.S. travel, JU83 U.S. politics, WP83 U.S. painting. Geographical numbers are often further expanded decimally to represent more specific areas, sometimes followed by a capital letter indicating a particular city.
The second line usually represents the author's name by a capital letter plus one or more numbers arranged decimally. This may be followed by the first letter or letters of the title in lower-case, and/or sometimes the letters a,b,c indicating other printings of the same title. When appropriate, the second line may begin with a 'form' number—e.g., 1 stands for history and criticism of a subject, 2 for a bibliography, 5 for a dictionary, 6 for an atlas or maps, 7 for a periodical, 8 for a society or university publication, 9 for a collection of works by different authors.
On the third line a capital Y indicates a work about the author or book represented by the first two lines, and a capital E (for English—other letters are used for other languages) indicates a translation into English. If both criticism and translation apply to a single title, the number expands into four lines.
Read more about this topic: Cutter Expansive Classification
Famous quotes containing the words expansive, call, numbers and/or constructed:
“An expansive life, one not constrained by four walls, requires as well an expansive pocket.”
—Anton Pavlovich Chekhov (1860–1904)
“It is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What’s in a name? That which we call a rose
By any other word would smell as sweet;
So Romeo would, were he not Romeo called,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
And for thy name, which is no part of thee,
Take all myself.”
—William Shakespeare (1564–1616)
“The forward Youth that would appear
Must now forsake his Muses dear,
Nor in the Shadows sing
His Numbers languishing.”
—Andrew Marvell (1621–1678)
“The greatest, or rather the most prominent, part of this city was constructed with the design to offer the deadest resistance to leaden and iron missiles that might be cast against it. But it is a remarkable meteorological and psychological fact, that it is rarely known to rain lead with much violence, except on places so constructed.”
—Henry David Thoreau (1817–1862)