Literature
The strong oral tradition that has existed since before the arrival of writing to what is now Malaysia continues today. These early works were heavily influenced by Indian epics. Oral literature such as folktales flourished even after printed works appeared. The Arabic Jawi script arrived with the coming of Islam to the peninsula in the late 15th century. At this point, stories which previously had given lessons in Hinduism and Buddhism were taken to have more universal meanings, with their main story lines remaining intact. Each of the Malay Sultanates created their own literary tradition influenced by preexisting oral stories and by the stories that came with Islam. The arrival of the printing press in Malaysia was key in allowing literature to be accessed by more than those rich enough to afford handwritten manuscripts. There was a division between the royal Malays, who knew English, and the lower classes, who only read Malay. In the early years of the 20th century, literature began to change to reflect the changing norms of Malaysians. In 1971 the government took the step of defining the literature of different languages. Literature written in Malay was called "The National Literature of Malaysia"; literature in other bumiputra languages was called "regional literature"; literature in other languages was called "sectional literature".
Malay poetry is highly developed, and uses many forms. A Hikayat is a traditional narrative, and stories written in that fashion are named using Hikayat followed by the name(s) of the protagonist(s). The pantun is a form of poetry used in many aspects of Malay culture. The Syair is another form of narrative, once very popular. The Hikayat form remains popular, and the pantun has spread from Malay to other languages. Until the 19th century, literature produced in Malaysia focused mainly on tales of royalty, as it was produced just for royalty. It was after this point that it expanded to other areas. The race riots of 1969 strongly influenced literature; the improvements of the economy in the 1980s brought about social changes and new forms of literature.
The first Malay literature was in Arabic script. The earliest known Malay writing is on the Terengganu Inscription Stone, made in 1303. One of the more famous Malay works is the Sulalatus al-Salatin, also known as the Sejarah Melayu (meaning "The Malay Annals"). It was originally recorded in the 15th century, although it has since been edited; the known version is from the 16th century. The Hikaya Rajit Pasai, written in the 15th century, is another significant literary work. The Hikayat Hang Tuah, or story of Hang Tuah, tells the story of Hang Tuah and his devotion to his Sultan. This is the most famous Hikayat; it drew from the Sejarah Melayu. Both have been nominated as world heritage items under the United Nations Educational, Scientific and Cultural Organization (UNESCO) 'Memory of the World' programme. Folktales such as the Hikayat Sang Kancil, about a clever mouse deer, are popular, as are adventures such as Ramayana, adapted from Indian epics. Munshi Abdullah (Abdullah bin Abdul Kadir), who lived from 1797–1854, is regarded as the father of Malay literature. Hikayat Abdullah, his autobiography, is about everyday life at the time when British influence was spreading. Female Malay writers began becoming popular in the 1950s.
Different ethnic and linguistic groups have produced works in their own languages. Chinese and Indian literature became common as the numbers of speakers increased in Malaysia, and locally produced works based in languages from those areas began to be produced in the 19th century. Beginning in the 1950s, Chinese literature expanded; homemade literature in Indian languages has failed to emerge. English has become a common literary language.
Read more about this topic: Culture Of Malaysia
Famous quotes containing the word literature:
“What makes literature interesting is that it does not survive its translation. The characters in a novel are made out of the sentences. Thats what their substance is.”
—Jonathan Miller (b. 1936)
“I make a virtue of my suffering
From nearly everything that goes on round me.
In other words, I know wherever I am,
Being the creature of literature I am,
I shall not lack for pain to keep me awake.”
—Robert Frost (18741963)
“But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not a distance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,nor Phidias, nor the Parthenon.”
—Henry David Thoreau (18171862)