Theater
The emergence of Hebrew theatre predated the state by nearly 50 years. The first amateur Hebrew theatre group was active in Palestine from 1904 to 1914. The first professional Hebrew theatre, Habimah, was founded in Moscow in 1917, and moved to Palestine in 1931, where it became the country's national theater. The Ohel Theatre was founded in 1925 as a workers' theatre that explored socialist and biblical themes. The first Hebrew plays revolved around pioneering.
After 1948, two major motifs were the Holocaust and the Arab-Israeli conflict. Moshe Shamir's He Walked in the Fields in 1949 was the first produced by a sabra writing about sabras in idiomatic and contemporary Hebrew. In the 1950s, dramatists portrayed the gap between pre-state dreams and disillusionment. Other plays pitted native Israelis against Holocaust survivors. Beginning in the 1960s, Hanoch Levin wrote 56 plays and political satires. During the 1970s, Israeli theatre became more critical, contrasting extreme images of Israeli identity, such as the muscleman and the spiritual Jew. In the 1980s, Yehoshua Sobol explored Israeli-Jewish identity issues. Today, Israeli theatre is extremely diverse in content and style, and half of all plays are local productions.
Read more about this topic: Culture Of Israel
Famous quotes containing the word theater:
“Since people no longer attend church, theater remains as the only public service, and literature as the only private devotion.”
—Franz Grillparzer (1791–1872)
“screenwriter
Tony Pastor, the pioneer of vaudeville, played the theater in 1876.... He had been preceded by P.T. Barnum, and an occasional performer such as Professor Simmons, “Great, Weird, Wondrous, and Invincibly Incomprehensible ... Basiliconthamaturgist.””
—State of Utah, U.S. public relief program (1935-1943)
“...I have never known a “movement” in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various “uplifting” activities in the theater are people who are astoundingly lacking in idealism.”
—Minnie Maddern Fiske (1865–1932)