Music
Egyptian music is a rich mixture of indigenous Egyptian, African and Western influences.
As early as 4000 BC, ancient Egyptians were playing harps and flutes, as well as two indigenous instruments: the ney and the oud. However, there is little notation of Egyptian music before the 7th century AD, when Egypt became part of the Muslim world. Percussion and vocal music became important at this time, and has remained an important part of Egyptian music today.
Contemporary Egyptian music traces its beginnings to the creative work of luminaries such as Abdu-l Hamuli, Almaz, Sayed Mikkawi, and Mahmud Osman, who were all patronized by Khedive Ismail and who influenced the later work of Sayed Darwish, Umm Kulthum, Mohammed Abdel Wahab, Abdel Halim Hafez and other Egyptian music giants.
From the 1970s onwards, Egyptian pop music has become increasingly important in Egyptian culture, particularly among the large youth population of Egypt. Egyptian folk music is also popular, played during weddings and other festivities. In the last quarter of the 20th century, Egyptian music was a way to communicate social and class issues. The most popular Egyptian pop singers are Amr Diab, Tamer Hosny, Mohamed Mounir and Ali El Haggar.
Belly dance, or Raqs Sharqi (literally: oriental dancing) may have originated in Egypt, and today the country is considered the international center of the art.
Read more about this topic: Culture Of Egypt
Famous quotes containing the word music:
“Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.”
—George Herbert (15931633)
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the moral significance of existence. But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (18441900)
“I used to be angry all the time and Id sit there weaving my anger. Now Im not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddlesa music of my own making.”
—Bhakti Ziek (b. c. 1946)