Literature
The ancient Egyptian literature dates back to the Old Kingdom, in the third millennium BC. Religious literature is best known for its hymns to and its mortuary texts. The oldest extant Egyptian literature are the Pyramid Texts: the mythology and rituals carved around the tombs of rulers. The later, secular literature of ancient Egypt includes the 'wisdom texts', forms of philosophical instruction. The Instruction of Ptahhotep, for example, is a collation of moral proverbs by an Egto the middle of the second millennium BC) seem to have been drawn from an elite administrative class, and were celebrated and revered into the New Kingdom (to the end of the second millennium). In time, the Pyramid Texts became Coffin Texts (perhaps after the end of the Old Kingdom), and finally the mortuary literature produced its masterpiece, the Book of the Dead, during the New Kingdom.
The Middle Kingdom was the golden age of Egyptian literature. Some notable texts include the Tale of Neferty, the Instructions of Amenemhat I, the Tale of Sinuhe, the Story of the Shipwrecked Sailor and the Story of the Eloquent Peasant. Instructions became a popular literary genre of the New Kingdom, taking the form of advice on proper behavior. The Story of Wenamun and the Instruction of Any are well-known examples from this period.
During the Greco-Roman period (332 BC − AD 639), Egyptian literature was translated into other languages, and Greco-Roman literature fused with native art into a new style of writing. From this period comes the Rosetta Stone, which became the key to unlocking the mysteries of Egyptian writing to modern scholarship. The great city of Alexandria boasted its famous Library of almost half a million handwritten books during the third century BC. Alexandria's centre of learning also produced the Greek translation of the Hebrew Bible, the Septuagint.
During the first few centuries of the Christian era, Egypt was the ultimate source of a great deal of ascetic literature in the Coptic language. Egyptian monasteries translated many Greek and Syriac words, which are now only extant in Coptic. Under Islam, Egypt continued to be a great source of literary endeavour, now in the Arabic language. In 970, al-Azhar University was founded in Cairo, which to this day remains the most important centre of Sunni Islamic learning. In the 12th century Egypt, the Jewish Talmudic scholar Maimonides produced his most important work.
In contemporary times, Egyptian novelists and poets were among the first to experiment with modern styles of Arabic-language literature, and the forms they developed have been widely imitated. The first modern Egyptian novel Zaynab by Muhammad Husayn Haykal was published in 1913 in the Egyptian vernacular. Egyptian novelist Naguib Mahfouz was the first Arabic-language writer to win the Nobel Prize in Literature. Many Egyptian books and films are available throughout the Middle East. Other prominent Egyptian writers include Nawal El Saadawi, well known for her feminist works and activism, and Alifa Rifaat who also writes about women and tradition. Vernacular poetry is said to be the most popular literary genre amongst Egyptians, represented most significantly by Bayram el-Tunsi, Ahmed Fouad Negm (Fagumi), Salah Jaheen and Abdel Rahman el-Abnudi.
See also: List of African writers (by country)#EgyptRead more about this topic: Culture Of Egypt
Famous quotes containing the word literature:
“The calmest husbands make the stormiest wives.”
—17th-century English proverb, pt. 1, quoted in Isaac dIsraeli, Curiosities of Literature (1834)
“[The] attempt to devote oneself to literature alone is a most deceptive thing, and ... often, paradoxically, it is literature that suffers for it.”
—Václav Havel (b. 1936)
“Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.”
—Sara Lawrence Lightfoot (20th century)