Cue Sports - Major Games

Major Games

There are two main varieties of billiard games: carom and pocket. The main carom billiards games are straight rail, balkline and especially three cushion billiards. All are played on a pocketless table with three balls; two cue balls and one object ball. In all, players shoot a cue ball so that it makes contact with the opponent's cue ball as well as the object ball. Others of multinational interest are four-ball and five-pins.

The most globally popular of the large variety of pocket games are Pool games (especially eight-ball, nine-ball, straight pool and one-pocket) and snooker. In eight-ball and nine-ball, the object is to sink object balls until one can legally pocket the winning eponymous "money ball". Well-known but waning in popularity is straight pool, in which players seek to continue sinking balls, rack after rack if they can, to reach a pre-determined winning score (typically 150). Related to nine-ball, another well-known game is rotation, where the lowest-numbered object ball on the table must be struck first, although any object ball may be pocketed (i.e., combination shot). Each pocketed ball is worth its number, and the player with the highest score at the end of the rack is the winner. Since there are only 120 points available (1 + 2 + 3 ⋯ + 15 = 120), scoring 61 points leaves no opportunity for the opponent to catch up. In both one-pocket and bank pool, the players must sink a set number of balls; respectively, all in a particular pocket, or all by bank shots. In snooker, players score points by alternately potting red balls and various special "colour balls". English billiards, with some features of carom billiards, was one of the two most-competitive cue sports, along with balkline, at the turn of the previous century and is still enjoyed today especially in Commonwealth countries. Russian pyramid and its variants like kaisa are popular in the former Eastern bloc.

Read more about this topic:  Cue Sports

Famous quotes containing the words major and/or games:

    Give me the keys. I feel for the common chord again,
    Sliding by semi-tones till I sink to a minor,—yes,
    And I blunt it into a ninth, and I stand on alien ground,
    Surveying a while the heights I rolled from into the deep;
    Which, hark, I have dared and done, for my resting-place is found,
    The C Major of this life: so, now I will try to sleep.
    Robert Browning (1812–1889)

    Criticism occupies the lowest place in the literary hierarchy: as regards form, almost always; and as regards moral value, incontestably. It comes after rhyming games and acrostics, which at least require a certain inventiveness.
    Gustave Flaubert (1821–1880)