Crystal Skull - Crystal Skulls in Popular Culture

Crystal Skulls in Popular Culture

  • For the Love of God, a diamond-encrusted skull made by artist Damien Hirst.
  • House II: The Second Story, movie including a crystal skull from the aztec region.
  • Indiana Jones and the Kingdom of the Crystal Skull, film that revolves around a fictional back-story about crystal skulls.
  • Legend of the Crystal Skull, video game which involves searching for a lost crystal skull.
  • Stargate SG-1 (season 3), episode 21 revolves around crystal skulls that seems to transport people to meet with aliens
  • The Phantom starring Billy Zane, a 1996 movie in which the union of three skulls plus a control ring gives the user unlimited power.

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Famous quotes containing the words popular culture, crystal, skulls, popular and/or culture:

    Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.
    Adrienne Rich (b. 1929)

    Comets, importing change of times and states,
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    William Shakespeare (1564–1616)

    To value the tradition of, and the discipline required for, the craft of fiction seems today pointless. The real Arcadia is a lonely, mountainous plateau, overbouldered and strewn with the skulls of sheep slain for vellum and old bitten pinions that tried to be quills. It’s forty rough miles by mule from Athens, a city where there’s a fair, a movie house, cotton candy.
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    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    The fact remains that the human being in early childhood learns to consider one or the other aspect of bodily function as evil, shameful, or unsafe. There is not a culture which does not use a combination of these devils to develop, by way of counterpoint, its own style of faith, pride, certainty, and initiative.
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