Reception
Maurice Richardson, in the May 29, 1949 issue of The Observer gave a positive review in comparison to his opinion of Taken at the Flood the previous year: "Her forty-ninth book and one of her best seven. Poisoning of aged iniquitous anglicised Levantine millionaire. Nicely characterised family of suspects. Delicious red herrings. Infinite suspense and shocking surprise finish make up for slight looseness of texture."
An unnamed reviewer in the Toronto Daily Star of March 12, 1949 said, "Chief Inspector Taverner of Scotland Yard was as brilliant as usual but barking up the wrong tree - as Agatha Christie demonstrates in a surprise ending which introduces a novel idea in murder mystery."
Robert Barnard: "'Pure pleasure' was how the author described the writing of this, which was long planned, and remained one of her favourites. As the title implies, this is a family murder – and a very odd family indeed. The solution, one of the classic ones, was anticipated (but much less effectively) in Margery Allingham's 'prentice work The White Cottage Mystery."
Read more about this topic: Crooked House
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)