Crash Love - Critical Reception

Critical Reception

Critical response to Crash Love was generally favorable, with most critics praising its intricacy and musicianship as well as the band's stylistic growth. The review aggregator Metacritic scores the album at 70 out of 100, based on 12 reviews. Matt Collar of Allmusic remarked that the album is "less mannered than its predecessor and reveals a band exploding with a creative power pop and metal spark" and that "Ultimately, AFI have lightened up the band's darkly sexy vibe on Crash Love and delivered a yearning, perfect pop/rock crush of an album." Jason Pettigrew of Alternative Press praised the tight, precise playing of Carson and Burgan, Puget's "sense of the appropriate", Havok's ability to put a face to his vocals, and the detail in the album's arrangements and atmospheres, commenting that it "reveals more treasures with repeated listens" and that "In no uncertain terms, Crash Love is an accomplishment that raises the bar for as musicians and writers." Steve Appleford of the Los Angeles Times similarly complimented the album as confident and enjoyable, noting that the band had "grown with accelerating sophistication, stepping further beyond easy pop-punk thrashings to something grander, with music to match the mopey melodrama of Havok's words."

Vik Bansal of MusicOMH praised AFI's ability to keep their sound fresh and different with each album, remarking that " may be AFI's eighth album but there is no sign of fatigue, waning in quality or the song remaining the same." Dave de Sylvia of Sputnikmusic shared this sentiment, stating that "Crash Love smashes precedent to pieces, but, far from being a regression, it’s the best move they could have made at this stage in their career." He also praised Puget's guitar work and Havok's lyrics, remarking of the latter that "while Crash Love never quite hits the lyrical highs of Sing the Sorrow, it’s earthier and more relatable on a human level." Though he felt that the album occasionally sounds disjointed, with fun uptempo tracks placed next to more subtle ones, he concluded that it was "a more intricate and well-constructed album" than its platinum-selling predecessor Decemberunderground, and "an unexpectedly focused affair". Barry Thomson of The Phoenix called the album "easily A.F.I.'s best since 2003's Sing the Sorrow, and the cheeky pop-punk chorus of 'Too Shy to Scream' is their first successful decree to boogie the night away." Chris Fallon of AbsolutePunk rated the album an 83%, calling "Cold Hands" "painfully cheesy" and "Veronica Sawyer Smokes" "the album's most overwhelming misfire, shifting from massive hooks to a jangly indie-pop mentality", but praised each band member's performance and concluded that the album is "by no means a work of art, but it's a nice step-up from the mildly enjoyable 2006 release Decemberunderground".

Negative criticism of the album centered around its polished sound and weak lyrics. Christian Hoard of Rolling Stone noted that while Crash Love is more streamlined than Decemberunderground, "'streamlined' here means spidery guitars and wailed choruses". He also criticized the "vague concept of a souring relationship" that Havok's lyrics are built around, and remarked that "It can sound like AFI are just writing for their upcoming fall tour: The bombastic 'It Was Mine' could go on Green Day's next disc." Daniel Yates of Drowned in Sound was also highly critical, scoring the album three out of ten and complaining that the band's guitar sound had become increasingly polished over the years and thus lost its effectiveness: "drop-d's lost their weight, palm-mutes were drenched in enough to make nu metaller blush, and now with the synths apparently ditched, Crash Love sees the culmination of all that disgrace in a collection of sounds that fall somewhere between P.O.D. and a fart that's been trapped in a turbo-fx pedal for ten years." He also criticized Havok's lyrics as "clumsy strings of inchoate metaphors" that fail to evoke true emotion, remarking that "the band that once set Baudelaire to music are going to be keeping the Morrisseyism-shorthand-for-literacy vocal quirk, which permeates contribution to this album."

J. Gabriel Boylan of Spin also criticized the album's polished sound and vocals, stating that "Too often, Puget's fine guitar work can't overcome traces of the band's oompah pop-punk past or lyrics both illogical ('The broken radio was playing suicide') and cliché ('I feel nothing')." He also felt that the band's punk rock roots prevented them from allowing subtlety: "Crash Love never pauses to take a breath or slows the tempo or eases back on the hypercompressed everything. The whole history of gloomy pop is on display, but the band's hardcore background doesn't allow for the more subtle atmospherics of, say, Bauhaus or even the Cramps." Jason Heller of The A.V. Club scored the album a C-, feeling that it was weakened by abandoning Decemberunderground's range of styles and textures in favor of straightforward guitar rock: "The limited palette this time around doesn't do the band any favors: Where the sheer scope and giddy dynamics of Decemberunderground helped cover up some of the group's weak spots–for instance, Havok's histrionic flair and bad Marc Almond impression–Crash Love traffics in more of the same utilitarian riffs and bleating anger-slash-melancholy that AFI made its name on."