In filmmaking and video production a crane shot is a shot taken by a camera on a crane or Jib (camera). The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. Some filmmakers like to have the camera on a boom arm just to make it easier to move around between ordinary set-ups. Most cranes accommodate both the camera and an operator, but some can be operated by remote control. They are usually, but not always, found in what are supposed to be emotional or suspenseful scenes. One example of this technique is the shots taken by remote cranes in the car-chase sequence of To Live and Die in L.A..
During the last few years, camera cranes have been miniaturized and costs have dropped so dramatically that most aspiring film makers have access to these tools. What was once a "Hollywood" effect is now available for under $400.
Read more about Crane Shot: Types of Crane Shots, Famous Crane Camera Shots
Famous quotes containing the words crane and/or shot:
“Always and last, before the final ring
When all the fireworks blare, begins
A tom-tom scrimmage with a somewhere violin,
Some cheapest echo of them all—begins.”
—Hart Crane (1899–1932)
“He shakes the dust from off his feet
And shambles down the dirty street
The last man in the town, they said,
Who’d shot a hundred Yankees dead.”
—Allen Tate (1899–1979)