Country blues otherwise known as acoustic blues (also folk blues, rural blues, backwoods blues, or downhome blues) is a general term that refers to all the acoustic, mainly guitar-driven forms of the blues. It often incorporated elements of rural gospel, ragtime, hillbilly, and dixieland jazz. After blues' birth in the southern United States, it quickly spread throughout the country (and elsewhere), giving birth to a host of regional styles. These include Memphis, Detroit, Chicago, Texas, Piedmont, Louisiana, West Coast, Atlanta, St. Louis, East Coast, Swamp, New Orleans, Delta, Hill country and Kansas City blues.
When African-American musical tastes began to change in the early 1960s, moving toward soul and rhythm and blues music, country blues found renewed popularity as "folk blues" and was sold to a primarily white, college-age audience. Traditional artists like Big Bill Broonzy and Sonny Boy Williamson II reinvented themselves as folk blues artists, while Piedmont bluesmen like Sonny Terry and Brownie McGhee found great success on the folk festival circuit.
The title "country blues" does not mean blending country music with blues music.
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Famous quotes containing the words country and/or blues:
“Tjaden: How do they start a war?
Albert: Well, one country offends another.
Tjaden: How could one country offend another? You mean there’s a mountain over in Germany gets mad at a field in France?”
—Maxwell Anderson (1888–1959)
“The blues women had a commanding presence and a refreshing robustness. They were nurturers, taking the yeast of experience, kneading it into dough, molding it and letting it grow in their minds to bring the listener bread for sustenance, shaped by their sensibilities.”
—Rosetta Reitz, U.S. author. As quoted in The Political Palate, ch. 10, by Betsey Beaven et al. (1980)